He only asked us to review his work, but there were so many questions we asked Drew Gold to join us and discuss Motivational Housecat!, old comic strips, underground comix, animation, tools, art direction and getting his work seen.
Miracle Man and hard to find comics start the show, which unfolds into classified ads, game shows, cartoon hosts and Sunday comics. Steve Rude and Pullapalooza brings it to a close. Al asked “Why did old comic books have colored rectangles near the top borders of the page?” and just to let you know, he was right, and Don was wrong. Again.
MUSICAL SPOTLIGHT: Lets Active
Al, Dallas and Don get together on this supersized episode to discuss comic artists who not only had fantastic drawing abilities, but were masters of graphic design as well.
MUSICAL SPOTLIGHT: Samaria
Seminal Works. Creepy Presents Alex Toth, Genius Isolated, Genius Illustrated, Genius Animated, Setting the Standard: Comics by Alex Toth 1952-1954 And Zorro.
Some people say that Don is the glue that holds this show together. If that’s the case, then this episode is a hot mess. It’s Dallas and Al this time around, and we continue our multi-episode discussion on our favorite artists. We discuss the giants of the comic book industry, Neil Adams (duh!), Paul Smith, Al Williamson, John Buscema, Winsor McCay, Steve Rude, and Will Eisner.