Don confuses Mort Meskin with Win Mortimer, not because of art styles but because they both share the name Mort in some fashion. He does the same with Mark Teixeira and Tex Blaisdell. The Wertham hearings, Charles Lindbergh, History Of Animation. series we continue to read and The Defenders are talked about as well.
MUSICAL SPOTLIGHT: Steve Robinson
Totem Poles Drawn By Mort Meskin.
Continue readingOur friend Dan Pritchard joins us and hopes his interest in comics will return. Miracleman from the early 80s start things off, then goes into The Avengers line-ups a few years after that. We get off topic as always, and other podcasts Dan is involved in are discussed as well.
MUSICAL SPOTLIGHT: Dan Pritchard
Miracleman Written By Alan Moore.
We start off with Vampirella, move into the Filipino artists who did American comics in the seventies and end up talking about barbarian titles from the same era. Heroines of the golden age and Tarzan finish it out.
MUSICAL SPOTLIGHT: Steve Robinson
Vampirella 2 Cover By Bill Hughes.
Since Don Liked talking about Man-Wolf last episode, Al was forced to talk about the confusing history of the Bronze Age C list characters Tigra The Were-Woman, Beware The Claws Of The Cat, And Hellcat.
MUSICAL SPOTLIGHT: Five Man Electrical Band
Tigra The Were-Woman Was Introduced In Giant-Size Creatures 1.
Cover By Ron Wilson And Frank Giacoia.
Al, Dallas and Don start off with Man-Wolf and his varied storylines, Jack Kirby drawing barbarians and his open sourced storylines, Steve Englehart’s oddball Avengers work and building on the stories after the original creators have gone. Somehow they finish with James Bond and movie trailers.
MUSICAL SPOTLIGHT: Magazine 60
Creatures On The Loose 30 Featuring Man-Wolf
Cover By Gil Kane And John Romita.
Once again, the whole gang is present, and thanks to Al we discuss letterers and the art of typography. What’s better.. digital fonts or traditional lettering?
We reminisce about some of the old school lettering masters such as John Workman, Moebius, and Tom Orzechowski. Don finds a way to slide in a Carl Barks comment,
and Dallas gushes about Dave Sim’s typographical masterpiece, Cerebus.
We then discuss “event fatigue” in the DC and Marvel universe, and Rook tastefully bags on DC’s New 52 concept. We talk about how boring the superhero “status quo” can be,
and how refreshing books like Spider-Man’s Brand New Day and Morrison’s New X-Men can be. There’s some creator-owned rights talk, and Don brings up symphonic music
to hammer home his point on artistic “innovators” and “cultivators”.
Oh, and Rook sticks up for Aquaman.
MUSICAL SPOTLIGHT: The Brilliant Green
Not Only Could No One Draw Or Design Like Alex Toth,
No One Could Letter Like He Could As Well.
Yet, We Missed Talking About It On This Episode.