Al has continued his reading of The Man-Thing Essentials while more talk of muck monsters and the people who drew them are discussed. The writers Steve Gerber and Doug Moench, the many storylines Ghost Rider has appeared in and the fluctuating price of past comic books almost finish it out. But Al asks Rook to explain gaming, which he does.
MUSICAL SPOTLIGHT: Craig Anthony Fountain
Man-Thing Drawn By Arthur Adams And Frank D’Armata.
Continue readingWe start off with Hedra By Jesse Lonergan and go into a discussion of what is storytelling? Comic toy tie-ins are talked about after that, along with staying home, muck monsters and several movies that not everyone liked, but some did.
MUSICAL SPOTLIGHT: Dungeon Boss
Hedra By Jesse Lonergan.
Continue readingWe start off with the dollar box find Captain Victory, which leads into page rates, inkers and barbarian comics of the seventies. It was brought up that we do not talk about Joe Kubert enough, so we did, as well as American comics reprinted overseas. Stay safe.
MUSICAL SPOTLIGHT: The Beckies
Captain Victory And The Galactic Rangers 10.
Continue readingThe first half of the episode starts off with Magnus Robot Fighter 4000 A.D., Turok: Son Of Stone and the fantastic painted covers of Gold Key Comics. Bernie Wrightson and his work was discussed for the second half, so of course it went over the time limit.
MUSICAL SPOTLIGHT: Redd Kross
Talking about back-up stories led into Alan Moore and Swamp Thing, Cave Carson Has A Cybernetic Eye, Shade The Changing Girl, Groo Fray Of The Gods and Love And Rockets. Then Pullapalooza closes it out.
MUSICAL SPOTLIGHT: Harry Nilsson
Flesh And Bones Featuring Dalgoda 3
By Jan Strnad And Dennis Fujitake.
Episode 103 finds the entire crew returning once again at their secret lair deep within Rook’s house. Don, Al, Rook and Dallas discuss their favorite writer/artist and penciller/inker duos.
MUSICAL SPOTLIGHT: In honor of the beginning of the Halloween season,
it’s CONCRETE BLONDE with BLOODLETTING!
Al and Don start off talking about John Severin, then go into humor magazines of the seventies, rising paper costs of the nineties, the evolution of brick and mortar bookstores and the return of vinyl records.
Comic book artists streamlining styles as they progress, color work and uninked pencils are discussed, as well as comic book heroines, French comics and muck monsters.
MUSICAL SPOTLIGHT: Steve Robinson
John Severin Cover For Cracked.
Once again, the whole gang is present, and thanks to Al we discuss letterers and the art of typography. What’s better.. digital fonts or traditional lettering?
We reminisce about some of the old school lettering masters such as John Workman, Moebius, and Tom Orzechowski. Don finds a way to slide in a Carl Barks comment,
and Dallas gushes about Dave Sim’s typographical masterpiece, Cerebus.
We then discuss “event fatigue” in the DC and Marvel universe, and Rook tastefully bags on DC’s New 52 concept. We talk about how boring the superhero “status quo” can be,
and how refreshing books like Spider-Man’s Brand New Day and Morrison’s New X-Men can be. There’s some creator-owned rights talk, and Don brings up symphonic music
to hammer home his point on artistic “innovators” and “cultivators”.
Oh, and Rook sticks up for Aquaman.
MUSICAL SPOTLIGHT: The Brilliant Green
Not Only Could No One Draw Or Design Like Alex Toth,
No One Could Letter Like He Could As Well.
Yet, We Missed Talking About It On This Episode.
In this DOUBLE SIZED SPECTACULAR, Don and Al take the wheel and talk about BEFORE WATCHMEN, then trail off very fast and talk about things they don’t really remember.
MUSICAL SPOTLIGHT: Our good friend Ron Ray and his band, THE JURY
