This episode is so packed we didn’t stop for a music break. But we did talk about Pee Wee Herman, playing Dungeons And Dragons with Lego, Disney comics, comic book adaptations and outright swipes of other artist’s work. It ends with talk of The Sandman by Jack Kirby and Joe Simon.
Our friend Dan Pritchard joins us and hopes his interest in comics will return. Miracleman from the early 80s start things off, then goes into The Avengers line-ups a few years after that. We get off topic as always, and other podcasts Dan is involved in are discussed as well.
MUSICAL SPOTLIGHT: Dan Pritchard
Miracleman Written By Alan Moore.
While in Virginia, Don meets up with Scott Conner, who is one of our first listeners. As the conversation flowed, they decided to record a show, and here it is.
MUSICAL SPOTLIGHT: Colossus
The Goon By Eric Powell.
Dallas gives his take on the current Doom Patrol, which leads into a discussion of the different incarnations of the comic and Ted McKeever who had worked on it, but we didn’t know. The Vision, Ramona Fradon and the many awesome projects of Mark Chiarello.
Low: The Delirium Of Hope and the tight line of fantastic graphics and not being confusing is gone over, along with the third trade of Alex + Ada and text features In old comic books.
MUSICAL SPOTLIGHT: Strung Out
Doom Patrol 2 From DC Young Animal. Cover By Michael Allred.
Join the core four of Rook, Don, Dallas and Al, who are joined by Hashbrowns and Des to talk mucho comics! Including: creator-owned rights, comics distribution, King Of The Nerds., The Eternals By Neil Gaiman and John Romita Jr., Jupiter’s Legacy, Rat Queens, Thor, and Cuban cigars.
MUSICAL SPOTLIGHT: Primitive Astronauts
“Will comic book movies wear thin? Do we have any genius artists working in the field today?” Al asks both of these questions, and the entire episode is spent discussing it.
MUSICAL SPOTLIGHT: PARADA
Dallas Can’t Stop Watching Man Of Steel.
The core four returns with another episode full of book suggestions! Dallas, Al, Don and Rook pass around books to each other, book-club style. We won’t give the names of the books away here, but shenanigans ensue!!! More Walking Dead talk mysteriously creeps in, and the countdown to episode 50 continues!!!
MUSICAL SPOTLIGHT: The Destroyed
The Walking Dead By Robert Kirkman And Tony Moore.
Once again, the whole gang is present, and thanks to Al we discuss letterers and the art of typography. What’s better.. digital fonts or traditional lettering?
We reminisce about some of the old school lettering masters such as John Workman, Moebius, and Tom Orzechowski. Don finds a way to slide in a Carl Barks comment,
and Dallas gushes about Dave Sim’s typographical masterpiece, Cerebus.
We then discuss “event fatigue” in the DC and Marvel universe, and Rook tastefully bags on DC’s New 52 concept. We talk about how boring the superhero “status quo” can be,
and how refreshing books like Spider-Man’s Brand New Day and Morrison’s New X-Men can be. There’s some creator-owned rights talk, and Don brings up symphonic music
to hammer home his point on artistic “innovators” and “cultivators”.
Oh, and Rook sticks up for Aquaman.
MUSICAL SPOTLIGHT: The Brilliant Green
Not Only Could No One Draw Or Design Like Alex Toth,
No One Could Letter Like He Could As Well.
Yet, We Missed Talking About It On This Episode.
