Conversation starts out with bean counters and idea looters, then quickly cascades into movies and television shows that you only heard about as a kid. The documentary SUPERHEROES A Never Ending Battle, Inkers for John Buscema and Gil Kane are discussed (again), and the fine line between inspiration and plagiarism.
Join Don and Al as they explore the differences between kung fu heroes and western Superheroes. This leads to a discussion of the long-form, episodic storytelling of western mainstream comics vs. the three-act oriented stories of eastern comics. And then onto familiar ground: sequels. Somehow, Don manages to sneak in some talk of one of his favorite comics, Jack Staff. We also learn why Al is currently preferring trades and graphic novels to single issue comic books.
Up next… how science fiction has fueled the comic and movie industries for decades, and why comics are currently benefiting from taking more chances. Al brings up a great comparison with the daredevil, chance-taking music industry of the 1950’s and 1960’s.
And the boys wrap it up by discussing… surprise, surprise… THE WALKING DEAD.
Amazing as it sounds, Dallas and Rook are absent, but somehow Al keeps Don from talking over the hour. The show starts off mentioning the Bill Wray episode of Sidebar: Four Color Conversations, then goes into comic book editors, which is a subject that they have thought very little about.
Once again, the whole gang is present, and thanks to Al we discuss letterers and the art of typography. What’s better.. digital fonts or traditional lettering?
We reminisce about some of the old school lettering masters such as John Workman, Moebius, and Tom Orzechowski. Don finds a way to slide in a Carl Barks comment,
and Dallas gushes about Dave Sim’s typographical masterpiece, Cerebus.
We then discuss “event fatigue” in the DC and Marvel universe, and Rook tastefully bags on DC’s New 52 concept. We talk about how boring the superhero “status quo” can be,
and how refreshing books like Spider-Man’s Brand New Day and Morrison’s New X-Men can be. There’s some creator-owned rights talk, and Don brings up symphonic music
to hammer home his point on artistic “innovators” and “cultivators”.
Oh, and Rook sticks up for Aquaman.