MUSICAL SPOTLIGHT: Winter Atlas
Movies with steampunk or science fiction ties that have connections to innovative animators start this one off,which leads into influences artists have from one another and candy we liked (or didn’t like) as kids. Random comics finish this one out, including Al’s newfound interest in the Legion. Enjoy!
MUSICAL SPOTLIGHT: Dan Souder
Talking about back-up stories led into Alan Moore and Swamp Thing, Cave Carson Has A Cybernetic Eye, Shade The Changing Girl, Groo Fray Of The Gods and Love And Rockets. Then Pullapalooza closes it out.
MUSICAL SPOTLIGHT: Harry Nilsson
Drawing with references were discussed, as well as The Silver Surfer, Jack Kirby’s amazing run on Fantastic Four, kung fu comics from the seventies, and Don thought Shannon was from Miami, only to learn she was really from New York.
Once again, the whole gang is present, and thanks to Al we discuss letterers and the art of typography. What’s better.. digital fonts or traditional lettering?
We reminisce about some of the old school lettering masters such as John Workman, Moebius, and Tom Orzechowski. Don finds a way to slide in a Carl Barks comment,
and Dallas gushes about Dave Sim’s typographical masterpiece, Cerebus.
We then discuss “event fatigue” in the DC and Marvel universe, and Rook tastefully bags on DC’s New 52 concept. We talk about how boring the superhero “status quo” can be,
and how refreshing books like Spider-Man’s Brand New Day and Morrison’s New X-Men can be. There’s some creator-owned rights talk, and Don brings up symphonic music
to hammer home his point on artistic “innovators” and “cultivators”.
Oh, and Rook sticks up for Aquaman.
MUSICAL SPOTLIGHT: The Brilliant Green
Not Only Could No One Draw Or Design Like Alex Toth,
No One Could Letter Like He Could As Well.
Yet, We Missed Talking About It On This Episode.