Finding Milligan and McCarthy in the dollar box leads this episode down a rabbit hole of eighties comics, National Geographic, online pricing compared to real life and books by Mark Millar. And since we have all read DUNE The Graphic Novel we discuss that again as well as comic books and prose adapted to other media. We finish it out with Dept. H and yet another Ghost Rider series.
MUSICAL SPOTLIGHT: Ed Woltil
Rogan Gosh By Brendan McCarthy And Peter Milligan.
Continue readingShowcase Presents: Phantom Stranger starts the discussion off, then go off onto page layouts, foreign language comics and convenient labels.
MUSICAL SPOTLIGHT: Winter Atlas
Showcase Presents: Phantom Stranger.
Continue readingComic books that seemed odd, quirky or outright silly to an older audience that we loved as kids begins this episode, then moves into the influence one artist has to another. Everything finishes with drive-in movies.
MUSICAL SPOTLIGHT: All Mankind
Even though Al starts off with a certain question, the conversation turns to following creators or following the characters, Mad paperbacks, Jeffrey Catherine Jones documentary and pullapalooza finish it out.
MUSICAL SPOTLIGHT: The Replacements
Although Al Hasn’t Read The Current State Of Captain America,
He Talks About What He Has Heard.
Filling in the blanks, comic images that scared us as kids and horror comics from Harvey start things off. Madame Xanadu, Batman Vs. Grendel, Valerian and the fact that AL HAS NEVER SEEN The Fifth Element finishes it.
MUSICAL SPOTLIGHT: The Masons
Fill In The Blanks From Understanding Comics By Scott McCloud.
Welcome to the Halloween Episode! Join Dallas, Al and Don as they explore the classic horror comics of the past. The boys discuss the roots of 20th Century American horror comics, sensationalized in the EC line – most notable Tales from the Crypt. Dallas and Al go into detail on Warren Publishing and their “Creepy” and Eerie” line. The famous horror artists are discussed, such as Graham Ingels, Reed Crandall, Gray Morrow, Bernie Wrightson, Frank Frazetta, and more.
DCs pre-Vertigo horror line is brought up, including The House of Secrets and it’s hosts, Cain and Abel. Al reminisces about Vampirella, and Dallas gushes over From Hell by Alan Moore and Eddie Campbell. Other points of interest include Skywald Publications and Dead of Night featuring the Scarecrow.
And once again, If You Are In The Tampa Bay Area on Saturday, November 7, Drop By The BRASS MUG At 7:00pm – 12:00am To See Dungeon Boss In The Metal Extravaganza!!!
MUSICAL SPOTLIGHT: THIS IS HALLOWEEN!!!
From Hell By Alan Moore And
Join Don, Al, Dallas, Rook, Hashbrowns and Des as they discuss their favorite comic book pages..
MUSICAL SPOTLIGHT: Terez Montcalm
Al | Cover To The Adventures Of Bob Hope By Bob Oksner.
Written By Arnold Drake, Who Is One Of Al’s Favorite Writers.
We start off with a discussion of influences, mention the difference between creation and contribution, and artists who work with a sketchy line style. Old Daredevil comics, the New Wonder Woman of the early seventies, Dial H For Hero and finish off with the Fantastic Four as always.
MUSICAL SPOTLIGHT: Ruby Sting
Conan By Gary Gianni.
Changes in current comics, imaginary stories, Arnold Drake, variant covers and long running series by the same creators start out the show. Portrayals of Tarzan in comics, along with other Burroughs tales, glamorous jungle women of the forties, My Heroine Addiction, Captain Marvel, along with Jack Kirby and Stan Lee’s Fantastic Four run to finish it out.
MUSICAL SPOTLIGHT: Pierre Legault
Eternity By Walt Simonson And Dave Gibbons.
It’s the crazy 8’s!!!! Dallas, Don, and Al return for more nonsense. After talking some fantasy football smack, Dallas lists off his top 4 favorite “modern” comic artists: Chris Bachalo, Skottie Young, J.H. Williams III, and Frank Quitely. Al gives out some Michael Kaluta love, and then Don reminisces about his comic collecting days in Middle School, and then the boys discuss their picks of the week in WHAT ARE YOU READING. Enjoy, kiddies!!!
MUSICAL SPOTLIGHT: Larry Moore
