The first half of the episode starts off with Magnus Robot Fighter 4000 A.D., Turok: Son Of Stone and the fantastic painted covers of Gold Key Comics. Bernie Wrightson and his work was discussed for the second half, so of course it went over the time limit.
MUSICAL SPOTLIGHT: Redd Kross
Throwing caution to the wind Al and Don leave St. Petersburg and go to Tampa in search of comic books. They tell you what they got on the way back.
MUSICAL SPOTLIGHT: Sonic Graffiti
Nerd Out Comics • Tampa, Florida
Our host Dallas is joined by Rook, Don and Al to discuss anything and everything related to comics. Rook pulls out a gem from his childhood called Twilight Man, Don mentions TUKI which begins a nostalgic discussion about Jeff Smith and Bone. Al talks Archie (Archie Vs. Predator, All New Archie) and the wonderful artist of Afterlife With Archie, Francesco Francavilla.
Dallas reminisces about his favorite Alex Ross print of the Uncanny X-Men, and Roy Thomas is name-dropped. Dallas reviews the wonderful Sex Criminals by Matt Fraction and Chip Zdarsky. And, of course, there is talk of The Walking Dead and the new AMC show, Fear The Walking Dead.
MUSICAL SPOTLIGHT: The Joy Formidable
Twilight Man By Steven Grant, Tristan Schane,
Eric Vincent And Bruce Timm.
Al starts off talking about some new comics and a few older coffee table books, while Don jumps in every chance he gets. The second half has Don talking about some comics he’s read, Al stays mostly silent, and you can hear crickets in the background. Enjoy!
MUSICAL SPOTLIGHT: Steve Robinson & Ed Woltil
Chilling Adventures Of Sabrina 2 By Roberto Aguirre-Sacasa And Robert Hack.
Varient Cover By Francesco Francavilla.
Here Is Some Information On Madam Satan.
We start off with a discussion of influences, mention the difference between creation and contribution, and artists who work with a sketchy line style. Old Daredevil comics, the New Wonder Woman of the early seventies, Dial H For Hero and finish off with the Fantastic Four as always.
MUSICAL SPOTLIGHT: Ruby Sting
Conan By Gary Gianni.
Deep in the heart of Parts Unknown, Don, Al and Dallas discuss Slice Radio, Afterlife with Archie, some comic shop documentaries, the Origin of Rook Murphy, Warren comics, art commissions, Bernie Wrightson, Art Adams, John Buscema, Howard Chaykin’s Iron Wolf, Mike Mignola, Flex Mentallo, Charles Atlas, Count Dante, Jack and Stan’s Fantastic Four, civil rights in 60’s comics, the portrayal of minorities in 40’s and 50’s comics, and we wrap it up with Uncanny X-Men circa 1980’s.
MUSICAL SPOTLIGHT: Ruby Sting
The Rook From Warren Publishing.
Walking Dead is mentioned which quickly turns to creator owned comics and the black and white explosion of the eighties. A comparison of Alex Toth and Jaime Hernandez occurs, as well as a short discussion of nineties comics, titles about villains, newspaper strips and finding comics off the rack. And of course, more Fantastic Four talk. Whoo hoo!
MUSICAL SPOTLIGHT: Wilco
The Walking Dead All Out War Storyline.
By Robert Kirkman And Charlie Adlard.
Al questions why Carl Barks is held in such high regard, so Don spends most of the show talking about him. After that Harry Lucey, Brandon Graham, Francesco Francavilla and Stan Sakai are discussed. Al also brings up the movie Comic Book Villains, and even though he forgot to mention it, ends the show with a song by Family.
MUSICAL SPOTLIGHT: Steve Robinson
Al and Don start off discussing Marble Season by Gilbert Hernandez which leads into black and white comics and a brief bit about coloring comics. They finish with some League Of Extraordinary Gentlemen and and some more black and white goodness.
MUSICAL SPOTLIGHT: The Jury
Amazing as it sounds, Dallas and Rook are absent, but somehow Al keeps Don from talking over the hour. The show starts off mentioning the Bill Wray episode of Sidebar: Four Color Conversations, then goes into comic book editors, which is a subject that they have thought very little about.
MUSICAL SPOTLIGHT: Deloris Telescope
Giant Size Avengers 1 By Roy Thomas, Rich Buckler And
Dan Adkins But Don, Proving That He Needs An Editor, Said
That It Was Written By Gerry Conway.
